Synthpop project Culttastic has released two singles back to back and they are titled 'Sound' and 'Take Me Off the Planet'. Both of the songs are part of Culttastic's subscription service in which they release single by single which will ultimately culminate in one entire album. You can purchase the singles HERE and you can stream 'Take Me Off the Planet' directly below:



I wrote 'Sound' when I imagined the thrill of driving a car so fast that it flies into outer space. I became obsessed with the romantic rush of driving a car off a cliff after watching Marilyn Manson's 'Heart-Shaped Glasses' music video. 'Take Me Off The Planet' is an explicit request to be abducted by extraterrestrials. I hope my song makes them emotional. I feel grateful that i get to communicate with the extraterrestrials through my music. -Culttastic
Synthpop project Culttastic releases two new singles 'Sound' and 'Take Me Off the Planet'
July 12, 2019
Brutal Resonance

Synthpop project Culttastic releases two new singles 'Sound' and 'Take Me Off the Planet'

Synthpop project Culttastic has released two singles back to back and they are titled 'Sound' and 'Take Me Off the Planet'. Both of the songs are part of Culttastic's subscription service in which they release single by single which will ultimately culminate in one entire album. You can purchase the singles HERE and you can stream 'Take Me Off the Planet' directly below:



I wrote 'Sound' when I imagined the thrill of driving a car so fast that it flies into outer space. I became obsessed with the romantic rush of driving a car off a cliff after watching Marilyn Manson's 'Heart-Shaped Glasses' music video. 'Take Me Off The Planet' is an explicit request to be abducted by extraterrestrials. I hope my song makes them emotional. I feel grateful that i get to communicate with the extraterrestrials through my music. -Culttastic
Jul 12 2019

Steven Gullotta

info@brutalresonance.com
I've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.

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Started in spring 2009, Brutal Resonance quickly grew from a Swedish based netzine into an established International zine of the highest standard.

We cover genres like Synthpop, EBM, Industrial, Dark Ambient, Neofolk, Darkwave, Noise and all their sub- and similar genres.

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