Photo Credit : Christopher De La Rosa

Hello Rona and welcome to Brutal Resonance! Let’s start with a simple but always fun question. What are three of your favorite albums of all time and why?

Rougeheart:  “Black Celebration” by Depeche Mode, because I love how dark and luscious it is. It’s a big change from their early stuff. I felt that they were exploring new depths of music and songwriting. I found it to be very alluring. The songs also gave us a peek into the next chapter of Depeche Mode.

“Doppelgänger” by Curve, because I bought the album solely on the fact that I liked the cover art. I did not know who Curve was. I was just taking a chance for fun! Of course, I really loved it and went searching for more Curve music. They’ve been a favorite of mine ever since and a heavy influence on SINE music.

“Diamond Eyes” by Deftones, because I got introduced to Deftones by their cover of “Ghosts” by the band Japan, which I’m a fan of. I had heard of Deftones but never really looked into their music. I had this impression that they might be too hard or more metal. Little did I know, they would end up being one of my favorite bands. Of course, after hearing how amazing “Diamond Eyes” was, I went and picked up everything I could of theirs. I loved it all, but this one’s one of my faves!

You’ve been primarily a singer and drummer in your artistic career. When you decided to go solo and create everything on your own, was it tough at first? Or did you find it easy to flow on your own?

Rougeheart:  I think generally it was very easy to work on my own. The tough part was learning how to use Ableton and create demos. I got good enough at it that I wanted to play live. I then had to start learning about using Ableton in a live setting and working on my own live shows. My only experience prior was being a drummer in bands, not a front woman that runs the whole thing and sings! 


I read that you grew up as a military child and lived all over the United States and in Okinawa, Japan. Does your travels from childhood influence your music? If so, in what ways?

Rougeheart:  I did a lot of traveling as a child, which was awesome, but my music doesn’t really pull from any of those experiences specifically.

I also saw that your father was a musician who taught you keys and guitar. Eventually, you decided to take up the drums on your own intuition. What made you want to play the drums so much? Did any musician or band inspire you to take them up?

Rougeheart:  Yes, my father was a big fan of rock ’n’ roll music and really liked the band, Chicago. The first time I saw Chicago live, the drummer was Tris Imboden. I was very fascinated by his drumming and I thought it was so awesome! It left an impression on me so much that I wanted to learn to play the drums, as well. Tris is one of my favorite drummers, a tremendous talent and resume. I’m honored to call him a friend.

The infamous event when Peter Murphy was not able to play in Orlando, FL for the 40th Anniversary Tour was quite striking. When you, David J, Curse Mackey, Mark Gemini-Thwaite, and Mark Slutsky decided to continue the show on nonetheless, did you think it would work? What was the crowd’s reaction? 

Rougeheart:  I knew it had to work regardless of what we did. Between the time the audience found out Peter was not going to make it and the time that David J got on stage and told them we were going to make some music anyway, the audience seemed a bit sympathetic to our situation, as well. We were all in this together! So, David J, Curse Mackey, Mark Gemini-Thwaite, Marc Slutsky and myself put together something strangely special! It was extremely well received and so many people thanked us for saving the night and giving them something unique. It’s unforgettable! One of the greatest, unexpected nights! And as David J said, “We made champagnes out of lemons.”

Photo Credit : Teresa Jolie

Since 2016 you’ve been an independent artist. Your debut album “INSOMNIÆ” as well as your follow-up singles and EPs have been self-released. However, you’ve just signed with eMERGENCY heARTS. What are they bringing to the table that you haven’t been able to do on your own?

Rougeheart:  They bring huge support. I’m just so excited to have a cheerleader in my court! They’ve been super awesome about making sure I have everything I need for all of my releases. They’ve been great at expanding my network and reach with my music. Never in a million years would I ever think I would have a remix from Meat Beat Manifesto! Those are the kinds of things they do that truly help me see the next level. I’m so very thankful and excited about the future!

Your initial release on the label is “Desire, Denial, and Paramania”, which is an eleven track collection featuring select songs from prior releases. How did you nail done which songs you wanted to appear on this compilation?

Rougeheart:  I picked my favorite songs over all of my releases. I felt they best represented who SINE is today. The remixes were a fun bonus.

You’ve worked with the likes of Curse Mackey, Sean Beavan, Chris Connelly, Meat Beat Manifesto, and NITE. What was it like collaborating with these artists? What did you learn from them or, vice versa, what did you pass on to them?

Rougeheart:  I love working with a variety of artists because everyone has their artistic take. I like the diversity. I found all of the collaborators to be very easy to work with. I would love to work with them all again, and some of them I already am!


And what else do you have in store for the future? Do you have any live shows, singles, EPs, or albums in the works? Any specifics?

Rougeheart:  The last live show I played was on December 2nd of this year at Trees in Dallas, Texas with Nitzer Ebb. That was the most amazing show ever! I’ve been a big fan of theirs for a long time, so it was quite the honor. I don’t have any shows planned, currently, but I am looking into booking for next year. Next year, will see the release of Mantis 1, 2 and 3. We will start with a single probably in late January. I am truly excited about it because the song is a bit different from what I’ve written before. It’s one of my favs, so far! Other than that, I’ll be working on some music videos and live show production.

Lastly, I’d like to thank you for your time! I wish you the best of luck and leave the space below open for you to mention anything I may have missed. Cheers! 

Rougeheart:  Thank you so much for having me! For those of you that are inspired by SINE’s music and want me to play your city, the best thing you can do for me is to tell your local DJs, venues and promoters about SINE. I really would love to line up a show in YOUR city one day! Your help allows me to grow, and that growth helps me travel to do live events. Thank you again! 
Talking Sine with Front Woman and Founder Rona Rougeheart
December 12, 2021
Brutal Resonance

Talking Sine with Front Woman and Founder Rona Rougeheart

Photo Credit : Christopher De La Rosa

Hello Rona and welcome to Brutal Resonance! Let’s start with a simple but always fun question. What are three of your favorite albums of all time and why?

Rougeheart:  “Black Celebration” by Depeche Mode, because I love how dark and luscious it is. It’s a big change from their early stuff. I felt that they were exploring new depths of music and songwriting. I found it to be very alluring. The songs also gave us a peek into the next chapter of Depeche Mode.

“Doppelgänger” by Curve, because I bought the album solely on the fact that I liked the cover art. I did not know who Curve was. I was just taking a chance for fun! Of course, I really loved it and went searching for more Curve music. They’ve been a favorite of mine ever since and a heavy influence on SINE music.

“Diamond Eyes” by Deftones, because I got introduced to Deftones by their cover of “Ghosts” by the band Japan, which I’m a fan of. I had heard of Deftones but never really looked into their music. I had this impression that they might be too hard or more metal. Little did I know, they would end up being one of my favorite bands. Of course, after hearing how amazing “Diamond Eyes” was, I went and picked up everything I could of theirs. I loved it all, but this one’s one of my faves!

You’ve been primarily a singer and drummer in your artistic career. When you decided to go solo and create everything on your own, was it tough at first? Or did you find it easy to flow on your own?

Rougeheart:  I think generally it was very easy to work on my own. The tough part was learning how to use Ableton and create demos. I got good enough at it that I wanted to play live. I then had to start learning about using Ableton in a live setting and working on my own live shows. My only experience prior was being a drummer in bands, not a front woman that runs the whole thing and sings! 


I read that you grew up as a military child and lived all over the United States and in Okinawa, Japan. Does your travels from childhood influence your music? If so, in what ways?

Rougeheart:  I did a lot of traveling as a child, which was awesome, but my music doesn’t really pull from any of those experiences specifically.

I also saw that your father was a musician who taught you keys and guitar. Eventually, you decided to take up the drums on your own intuition. What made you want to play the drums so much? Did any musician or band inspire you to take them up?

Rougeheart:  Yes, my father was a big fan of rock ’n’ roll music and really liked the band, Chicago. The first time I saw Chicago live, the drummer was Tris Imboden. I was very fascinated by his drumming and I thought it was so awesome! It left an impression on me so much that I wanted to learn to play the drums, as well. Tris is one of my favorite drummers, a tremendous talent and resume. I’m honored to call him a friend.

The infamous event when Peter Murphy was not able to play in Orlando, FL for the 40th Anniversary Tour was quite striking. When you, David J, Curse Mackey, Mark Gemini-Thwaite, and Mark Slutsky decided to continue the show on nonetheless, did you think it would work? What was the crowd’s reaction? 

Rougeheart:  I knew it had to work regardless of what we did. Between the time the audience found out Peter was not going to make it and the time that David J got on stage and told them we were going to make some music anyway, the audience seemed a bit sympathetic to our situation, as well. We were all in this together! So, David J, Curse Mackey, Mark Gemini-Thwaite, Marc Slutsky and myself put together something strangely special! It was extremely well received and so many people thanked us for saving the night and giving them something unique. It’s unforgettable! One of the greatest, unexpected nights! And as David J said, “We made champagnes out of lemons.”

Photo Credit : Teresa Jolie

Since 2016 you’ve been an independent artist. Your debut album “INSOMNIÆ” as well as your follow-up singles and EPs have been self-released. However, you’ve just signed with eMERGENCY heARTS. What are they bringing to the table that you haven’t been able to do on your own?

Rougeheart:  They bring huge support. I’m just so excited to have a cheerleader in my court! They’ve been super awesome about making sure I have everything I need for all of my releases. They’ve been great at expanding my network and reach with my music. Never in a million years would I ever think I would have a remix from Meat Beat Manifesto! Those are the kinds of things they do that truly help me see the next level. I’m so very thankful and excited about the future!

Your initial release on the label is “Desire, Denial, and Paramania”, which is an eleven track collection featuring select songs from prior releases. How did you nail done which songs you wanted to appear on this compilation?

Rougeheart:  I picked my favorite songs over all of my releases. I felt they best represented who SINE is today. The remixes were a fun bonus.

You’ve worked with the likes of Curse Mackey, Sean Beavan, Chris Connelly, Meat Beat Manifesto, and NITE. What was it like collaborating with these artists? What did you learn from them or, vice versa, what did you pass on to them?

Rougeheart:  I love working with a variety of artists because everyone has their artistic take. I like the diversity. I found all of the collaborators to be very easy to work with. I would love to work with them all again, and some of them I already am!


And what else do you have in store for the future? Do you have any live shows, singles, EPs, or albums in the works? Any specifics?

Rougeheart:  The last live show I played was on December 2nd of this year at Trees in Dallas, Texas with Nitzer Ebb. That was the most amazing show ever! I’ve been a big fan of theirs for a long time, so it was quite the honor. I don’t have any shows planned, currently, but I am looking into booking for next year. Next year, will see the release of Mantis 1, 2 and 3. We will start with a single probably in late January. I am truly excited about it because the song is a bit different from what I’ve written before. It’s one of my favs, so far! Other than that, I’ll be working on some music videos and live show production.

Lastly, I’d like to thank you for your time! I wish you the best of luck and leave the space below open for you to mention anything I may have missed. Cheers! 

Rougeheart:  Thank you so much for having me! For those of you that are inspired by SINE’s music and want me to play your city, the best thing you can do for me is to tell your local DJs, venues and promoters about SINE. I really would love to line up a show in YOUR city one day! Your help allows me to grow, and that growth helps me travel to do live events. Thank you again! 
Dec 12 2021

Steven Gullotta

info@brutalresonance.com
I've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.

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Shortly about us

Started in spring 2009, Brutal Resonance quickly grew from a Swedish based netzine into an established International zine of the highest standard.

We cover genres like Synthpop, EBM, Industrial, Dark Ambient, Neofolk, Darkwave, Noise and all their sub- and similar genres.

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