Lit L Media Head ElectroClash, Electro Princess O Sometimes, I curse myself before researching into something I'm about to review. I just grab something random, and hope for a good outcome. This time, however, the final product that I was left with was really, really terrible. What I find myself listening to is a giant combination of overloaded cupcake sweetness and vocals that sound like they belong in a horrible Japanese kids' show, but what makes this all the more better is that this album is produced by a Swedish musician. I feel like I should be wearing cute little pink dresses as I frolic through a meadow with animals whose eyes are too large for their heads as I trudge my way through this album. I honestly have no idea what the point of making this was. Sure, there might be an audience for this form of craftsmanship, so long as the audience are still in diapers and are somewhat learning who exactly "daddy" is. The person behind this project is part of Target 4 Coma, and I honestly have no idea what the fuck happened in transition from working with those fine fellows to forming their own project. I feel like I've said enough about this project, and might have to go vomit rainbows and shit unicorn dust after listening to that album just to have a purge of my inner self. I don't think this is even an album I would want my niece listening to, nor any of the children of the world. 2
Brutal Resonance

Princess O - Lit L Media Head

3.0
"Terrible"
N/A
Electroracle
Spotify
Released off label 2013
Sometimes, I curse myself before researching into something I'm about to review. I just grab something random, and hope for a good outcome. This time, however, the final product that I was left with was really, really terrible. What I find myself listening to is a giant combination of overloaded cupcake sweetness and vocals that sound like they belong in a horrible Japanese kids' show, but what makes this all the more better is that this album is produced by a Swedish musician.

I feel like I should be wearing cute little pink dresses as I frolic through a meadow with animals whose eyes are too large for their heads as I trudge my way through this album. I honestly have no idea what the point of making this was. Sure, there might be an audience for this form of craftsmanship, so long as the audience are still in diapers and are somewhat learning who exactly "daddy" is.

The person behind this project is part of Target 4 Coma, and I honestly have no idea what the fuck happened in transition from working with those fine fellows to forming their own project. I feel like I've said enough about this project, and might have to go vomit rainbows and shit unicorn dust after listening to that album just to have a purge of my inner self. I don't think this is even an album I would want my niece listening to, nor any of the children of the world. Dec 13 2013

Off label

Official release released by the artist themselves without the backing of a label.

Steven Gullotta

info@brutalresonance.com
I've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.

Share this review

Facebook
Twitter
Google+
14
Shares

Buy this release

BandCamp

Related articles

Substaat - 'Substaat'

Review, Mar 16 2011

Alpha Point - 'Alive'

Review, Jan 27 2010

Shortly about us

Started in spring 2009, Brutal Resonance quickly grew from a Swedish based netzine into an established International zine of the highest standard.

We cover genres like Synthpop, EBM, Industrial, Dark Ambient, Neofolk, Darkwave, Noise and all their sub- and similar genres.

© Brutal Resonance 2009-2016
Designed by and developed by Head of Mímir 2016