
I have been following Roxxi Wallace and her musical progression ever since I heard her under the Girlflesh moniker. I followed her through her stages into Isserley which marked a powerful new moment in the Australian's career. With refined production and a better understanding of what she needed to do, Messes was released to positive reception. However, there was still room to grow and the saddest girl in the world came back to unveil S A D P O S T I N G (check out our review HERE) to the world. With that in mind, we got an interview with Isserley regarding her new album. Be sure to hit that play button as you read along:
Hello Roxxi! I found it kind of shocking that the last interview I've had with you was back in 2015 when you still produced under the Girlflesh moniker. Anyway, how has everything been since then? You've seem to have built up quite a decent reputation with Isserley.
Roxxi: 2015!? Wow, it definitely seemed more recent to me. Things have been as good and sad as always, just making music, gaming and finding new horror movies to watch. Isserley as a project seems to be going quite well, I’m really excited about it, and I hope I can take it further.
You always blend your personal brand of humor into your work – the title of 'S A D P O S T I N G' is enough to put that point forward. Has your blend of sarcasm, Daddy-fetish exploitation, and horror influences ever gotten the project any hate? Or do you find the vast majority of people who find Isserley love it?
Your music is best described as Downtempo Trap with Witch House and Industrial Influences mixed within. That being said, where do you draw influences from when creating music? Do you look to other musicians, friends, personal life, or something completely different?
To help promote the album you released three separate videos. I'd like to mention each one specifically. Starting off with 'Aliens Don't Eat Chocolate Cake'. The video has a gritty and glitchy vibe with over saturation. Did you take part in the art direction for the video, or did you let the creator, Harry “HC” Carbo, do whatever he wished.

'Death Is My Gift' got a very creepy black and white video lasting only thirty-six seconds. I loved the subliminal violence in it. However, the song itself on the album runs for three minutes and eighteen seconds. Why was the video so short? Was it meant to serve as a teaser?
The last video – and perhaps my favorite – would be the one for 'Deep Throat'. Directed, edited, and starring Nawadar, the video begins off with what would appear to be a dimly lit webcam session. However, the dark music and VHS-styled filter represented something was off. The blood that appears on Nawadar's face, the self-abuse, and continued dance routine was something of nightmares. Did the video reflect the meaning or theme of the song in any sense? Or was this just a spooky, creative exercise?
Now, S A D P O S T I N G seems to be an album regarding depression and a lot of issues you have with the modern world. What is the overlying theme of the album? Did you go into this album with a specific agenda in mind?
How has your sound matured since your last released 'Messes'? If anything, I can easily hear better production values throughout the album.
With S A D P O S T I N G you brought along a couple of friends. The already mentioned Nawadar is on the album, but you also have the song 'APPS' featuring Atkin$. How did you meet these artists and why did you choose to have them on the album?
You also have Japanese script in the title of the album and on your logo currently. Are you going to be promoting this as an image for Isserley here on out? Or is this just a theme for the current album?
And what else do you have in store for the future? And EPs, remixes, or further collaborations coming along?
Lastly, I'd like to thank you for your time. I leave the space below for you to insert any final messages you may have!
Roxxi: Thank you Brutal Resonance, the people who supported S A D P O S T I N G, and anyone who does in the future!
I wanted to create my own world ... and destroy it. I was inspired by realities of today's world.
Electric Resistance, Feb 19 2014

Steven Gullotta
info@brutalresonance.comI've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.
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