Triptych Noise, Rhythmic Noise Tapewyrm Triptych by TapewyrmThis is perhaps the first time you'll be finding me saying this about Tapewyrm, the harsh noise project based out of the United Kingdom, but I find myself quite a bit bored with the sounds that emit from his latest album Triptych. It's not that his style has changed all that much or anything like that; the chaos and hard hitting, noisey and static filled bass rhythms are all still there and included. So fans of Tapewyrm will no doubt recognize and enjoy the songs by a massive amount. However, where the album falls short is not the crushing beats but the length of said songs and how they do not change throughout their duration. When I first started the album and Nemesis played I thought I was in for something fit for a king – if only the king in question was a sadistic bastard and wanted to see his enemies ripped apart by a poor, feral boy with sharpened fingernails. The clanging electronics and ruthless sound design was adoring and lovely. However, after about two minutes into this song I had experienced everything it had to offer and I didn't find reason to go back through the entire five minutes all over again. And that's pretty much how I felt throughout the entirety of the album on each and every song. I would get pumped up and thrashing about for the first couple of minutes but after that I wanted to skip the track and move onto the next one. It's especially a daunting task when some of the tracks have nearly a nine minute length; sometimes even more. I think that if Tapewyrm were to change up the beats three or four times within a nine minute song then it would be much more alluring. He has the sound bank to do so, now he just needs to prove it. I think that a supercut of the album with two or three minute snippets from each track graciously flowing from one into the next lasting for about a half hour would be simply astonishing. It would be a punishment to the ears, no doubt, but a punishment I'd be willing to sit through with a crooked smile on my face. So, in all fairness, I have to give this album a six out of ten. Not Tapewyrm's best showing in his discography, but a promising one that needs to fix a few things before his true potential shines through.  350
Brutal Resonance

Tapewyrm - Triptych

6.0
"Alright"
Released off label 2016

This is perhaps the first time you'll be finding me saying this about Tapewyrm, the harsh noise project based out of the United Kingdom, but I find myself quite a bit bored with the sounds that emit from his latest album Triptych. It's not that his style has changed all that much or anything like that; the chaos and hard hitting, noisey and static filled bass rhythms are all still there and included. So fans of Tapewyrm will no doubt recognize and enjoy the songs by a massive amount. However, where the album falls short is not the crushing beats but the length of said songs and how they do not change throughout their duration. 

When I first started the album and Nemesis played I thought I was in for something fit for a king – if only the king in question was a sadistic bastard and wanted to see his enemies ripped apart by a poor, feral boy with sharpened fingernails. The clanging electronics and ruthless sound design was adoring and lovely. However, after about two minutes into this song I had experienced everything it had to offer and I didn't find reason to go back through the entire five minutes all over again. 

And that's pretty much how I felt throughout the entirety of the album on each and every song. I would get pumped up and thrashing about for the first couple of minutes but after that I wanted to skip the track and move onto the next one. It's especially a daunting task when some of the tracks have nearly a nine minute length; sometimes even more. 

I think that if Tapewyrm were to change up the beats three or four times within a nine minute song then it would be much more alluring. He has the sound bank to do so, now he just needs to prove it. I think that a supercut of the album with two or three minute snippets from each track graciously flowing from one into the next lasting for about a half hour would be simply astonishing. It would be a punishment to the ears, no doubt, but a punishment I'd be willing to sit through with a crooked smile on my face. 

So, in all fairness, I have to give this album a six out of ten. Not Tapewyrm's best showing in his discography, but a promising one that needs to fix a few things before his true potential shines through. 
Aug 01 2016

Off label

Official release released by the artist themselves without the backing of a label.

Steven Gullotta

info@brutalresonance.com
I've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.

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