Domestic Disturbances Vol. 1 Ambient, Noise Sochkhere In what can only really be described as eerie, dark, and gloomy comes along a Danish act by the name of Sochkhere. I'm not really sure if that name is supposed to mean something, but my investigative tactics left me with a cliffhanger. However, this album is weird in all senses of the word, but a sorta good, sorta bad kinda weird. I don't think that necessarily describes exactly how one, as long as that one is myself, should feel about the album, so let me get a little more down in the dirt. For starters, let me tell you what I liked about the album. And, I suppose I can begin by saying that I loved the vocals on the album. Always distorted, always sounding like a deep pitched demon trying to express his feelings to a psychiatrist, and always giving off a negative vibe. In other words, they perfectly fit the mood of the songs. Hedge did a fantastic job showcasing the talents behind the vocals presented alongside the noise found within the song, It was pretty cool. However, about halfway through the album, it changes to a more minimalistic approach starting with selfinflicted. It's a very odd and somewhat disturbing song. As the title suggests, we are listening to someone most likely harming themselves for some sort of sick pleasure. It's a drone song, though, having mainly one note with the sounds of a man breathing in ecstasy as the slapping sounds in the song represent some sort of pain being inflicted upon himself. I suppose one of the only songs that I really had a problem with would be the final song on the album, attic. Whereas the minimal approach to the album worked before by sewing a story in between the notes, this song just tends to bore. Eventually, the song just turns into noise that appears and disappears repeatedly with an annoying and repeating loop. It was a horrible way to end the album. Needless to say, the beginning and body of this album was pretty damned good. Although the end left more to be desired, it still didn't destroy the album for me entirely. I'll just have to remember that the next time I listen to this album, I'll have to remember to take the last song off the playlist to have an enjoyable listening experience. 450
Brutal Resonance

Sochkhere - Domestic Disturbances Vol. 1

7.5
"Good"
Released 2013 by khepri records
In what can only really be described as eerie, dark, and gloomy comes along a Danish act by the name of Sochkhere. I'm not really sure if that name is supposed to mean something, but my investigative tactics left me with a cliffhanger. However, this album is weird in all senses of the word, but a sorta good, sorta bad kinda weird. I don't think that necessarily describes exactly how one, as long as that one is myself, should feel about the album, so let me get a little more down in the dirt.

For starters, let me tell you what I liked about the album. And, I suppose I can begin by saying that I loved the vocals on the album. Always distorted, always sounding like a deep pitched demon trying to express his feelings to a psychiatrist, and always giving off a negative vibe. In other words, they perfectly fit the mood of the songs. Hedge did a fantastic job showcasing the talents behind the vocals presented alongside the noise found within the song, It was pretty cool.

However, about halfway through the album, it changes to a more minimalistic approach starting with selfinflicted. It's a very odd and somewhat disturbing song. As the title suggests, we are listening to someone most likely harming themselves for some sort of sick pleasure. It's a drone song, though, having mainly one note with the sounds of a man breathing in ecstasy as the slapping sounds in the song represent some sort of pain being inflicted upon himself.

I suppose one of the only songs that I really had a problem with would be the final song on the album, attic. Whereas the minimal approach to the album worked before by sewing a story in between the notes, this song just tends to bore. Eventually, the song just turns into noise that appears and disappears repeatedly with an annoying and repeating loop. It was a horrible way to end the album.

Needless to say, the beginning and body of this album was pretty damned good. Although the end left more to be desired, it still didn't destroy the album for me entirely. I'll just have to remember that the next time I listen to this album, I'll have to remember to take the last song off the playlist to have an enjoyable listening experience. Jan 30 2014

Steven Gullotta

info@brutalresonance.com
I've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.

Share this review

Facebook
Twitter
Google+
14
Shares

Buy this release

BandCamp

Related articles

The Dreaming

Interview, Dec 22 2014

Grendel

Interview, Jan 01 2004

Shortly about us

Started in spring 2009, Brutal Resonance quickly grew from a Swedish based netzine into an established International zine of the highest standard.

We cover genres like Synthpop, EBM, Industrial, Dark Ambient, Neofolk, Darkwave, Noise and all their sub- and similar genres.

© Brutal Resonance 2009-2016
Designed by and developed by Head of Mímir 2016