Hello Heavy Halo and welcome to Brutal Resonance! Since it’s your first time here, let me ask my favorite question. What are three of your favorite albums of all time and why?
McKeever: Smashing Pumpkins - Mellon Collie and the Infinite Sadness: Straight-up bipolar. This record goes from searingly loud to dead quiet and back again in an instant. The sheer range of emotional ground it covers is unforgettable.
Gosteffects: The Prodigy - The Fat of the Land: A nuclear bomb blast — the first electronic music we were exposed to. It had the aggression and energy of grunge but with a completely different sonic signature. Still sounds futuristic today…
I read that you two had very different origins. McKeever was playing in sweat-soaked DIY venues, and Gosteffects was performing at illegal raves. How did you two meet, and when did you decide to make Heavy Halo a thing?
McKeever, I read that you went through a chaotic spiral which included a trip to the psychiatric ward. Do these experiences ever pop up in your music or lyrics?
Gosteffects, when Heavy Halo was getting going, you built a studio in a former hospital. Tell me how that was possible and what kind of equipment you had.
This neighborhood we live in was plagued with race riots in the 1990s around when the hospital was closed down. The laundromat in the basement was the morgue. The super of the building told me when they took over the building a body was left in the basement. Apparently the city or whoever owned it before just completely abandoned the building. That’s how bad it was here at the time. He said he just told people in the neighborhood to come take the computers and beds and everything.
As far as what type of equipment we are using here, we record with an arsenal of hardware synthesizers, guitars, and whatever else we can get our hands on.
You eventually signed with Negative Gain Productions. How did you find them or vice versa, and what led you to make a deal with them?
On Negative Gain, you released your debut, self-titled album. Tell me the overall theme of the album and what it meant to both of you.
You try to transcend and overcome your self-destructive tendencies, but you get pulled down to hell anyway. But somehow there’s defiance deep in there seeking revenge. Heavy Halo is the revenge.
The cover depicts an angel with a halo falling. Obviously a nod to the band’s name, how does the image correlate to the album?
Shortly after the album was released, you added a ton of remixes from the likes of Xavier Swafford of 3TEETH, Morris Black, Atari Teenage Riot, and more. What was it like working with these producers and what did they add to your songs?
And what else do you have planned for 2022? Any other remixes, singles, EPs, tours, shows, etc happening anytime soon?
Lastly, I’d like to thank you for your time. I wish you the best of luck. I leave the space below open for you to mention anything I may have missed. Cheers!
Steven Gullotta
info@brutalresonance.comI've been writing for Brutal Resonance since November of 2012 and now serve as the editor-in-chief. I love the dark electronic underground and usually have too much to listen to at once but I love it. I am also an editor at Aggressive Deprivation, a digital/physical magazine since March of 2016. I support the scene as much as I can from my humble laptop.
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